"Advanced Intervals"
Expanding Intervals to
the Next Octave
This is a
short list of
the interval meanings, and we go into detail in the workbook
lessons. This Table is used to reference the intervals you can extend
into the upper octave.
The
following briefly
explain the distances and ranges over two octaves (notes): M=major, m
or (-) = minor, #=sharp, b=flat, octave=8va. (vb, for lower)
Review the table below for the first major and minor intervals. Use the
keyboard to see the intervals for the upper octive.
| Interval |
Example |
Label (1/2 steps) |
| Minor
Second |
C
to C# |
m2
(1) |
| Second |
C
to D |
2
(2) |
| Minor
Third |
C
to Eb |
m3
or b3 (3) |
| Major
Third |
C
to E |
3
(4) |
| Perfect
Fourth |
C
to F |
4
(5) |
| Tritone
(#4, b5) |
C
to F# or Gb |
#4,
b5 (6) |
| Perfect
Fifth |
C
to G |
5
(7) |
| Minor
Sixth |
C
to Ab |
m6
or b6 (8) |
| Major
Sixth |
C
to A |
6
(9) |
| Dominant
Seventh |
C
to Bb |
b7
or m7 (10) |
| Major
Seventh |
C
to B |
M7
(11) |
| Octave |
C
to C (8va) |
8
(12) |
The extended
intervals are often called the jazz notes. The sounds become attonal in
nature.
Notice that if
you take any of the above intervals and add 7 to them
you create the extended series.
That means that if you play a 7th be it dominant or major any of the
even numbered intervals will become odd and can be considered an extend
or advanced interval.
Example: Playing a C, D, G and Bb. The D can be considered a 9th
interval even though it is played next to the C. This relates to the
ability to invert notes which you will learn about in chord theory.
Here are the Advanced
Intervals:
|
| Interval
Name |
Each
interval is an ocatve higher 8va |
The
Extended Interval |
| Minor
Ninth |
C
to Db |
m9
or b9 (13) |
| Nineth |
C
to D |
9
(14) |
| Sharp
Nine |
C
to D# |
#9
(15) |
| Minor
Tenth (m3) |
C
to E |
m10
(m3 one octave up) (16) |
| Eleventh |
C
to F |
11
(17 |
| Sharp
Eleventh |
C
to F# |
#11
(18) |
| Twelevth
(5) |
C
to G |
12
(5 one octave up) (19) |
| Flat
Thirteenth |
C
to Ab |
b13
or m13 (20) |
| Thirteenth |
C
to A |
13
(21) |
| Sharp
Thirteenth |
C
to A# |
#13
(22) |
| Flat
Fiftheeth |
C
to Bb |
b15
(23) |
| Fifthteenth |
C
to B |
15
(24) |
For now we've only touched on relative position. There are other rules
we will explore in detail on later lessons associated with music theory
and use of the intervals.
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