The New Pattern
The significance of this inversion is that the pattern now becomes a half - whole
repeating pattern rather than the whole - half pattern.
The staff below shows the relationship between the diminished scale and
the
polytonal scale. The polytonal starts on the note a 3rd below and uses
the same notes.
You can work this out in your head as you consider the steps from note
to note.
Constructing Polytonal Scales
These scales are developed mathematically using half and whole
steps. To make sure we understand the difference in notes we will build
the 'C' polytonal scale.
The
Intervals
1 -
m2 - m3 - d4 - d5 - 5 - 6 - 7 - 8
The Notes
C
- Db - Eb - Fb - Gb - G - A - Bb - C
The Steps
S +
H + W + H + W + H + W + H
+ W
Here is that pattern shown on the keyboard.
Notice that a diminished chord 'D - F - Ab - B' are the notes
not played for the C polytonal.
You can create the other two polytonal scales using these
formulas. Start on C# and D to accomplish the full scale notes.
Scales of Diminished and
Polytonal Relationships
There are lots of similarities between these two types of scales as
would be expected by the simple application of an inversion of notes.
Once again there will be three diminished chords that are not played.
The
pattern similarities are just inversions of previously explored
diminished scales.
The thing you will quick discover in relating the scales is that the
notes remain the same but the starting point is different.
Our workbook
takes the time to go through the various inversions and
starting points to help you get them down cold.
Learning Resources
Scales Workshop

Learning scales is intimidating for the beginning
student.
Don't let them get the best of you. This Getting
It Down Cold Key and Scale Workshop easily leads
you through the process step by step.
Learn
More...
Lessons
in Scales:

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